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SuperOM: a SuperCollider class to generate music scores in OpenMusic
KTH, School of Electrical Engineering and Computer Science (EECS), Human Centered Technology, Media Technology and Interaction Design, MID. (Sound and Music Computing)ORCID iD: 0000-0002-1244-881x
KTH, School of Electrical Engineering and Computer Science (EECS), Human Centered Technology, Media Technology and Interaction Design, MID.ORCID iD: 0000-0002-4422-5223
2023 (English)In: Proceedings of the 8th International Conference on Technologies for Music Notation and Representation (TENOR) / [ed] Anthony Paul De Ritis, Victor Zappi, Jeremy Van Buskirk and John Mallia, Boston, MA, USA: Northeastern University Library , 2023, p. 68-75Conference paper, Published paper (Refereed)
Abstract [en]

This paper introduces SuperOM, a class built for the software SuperCollider in order to create a bridge to OpenMu- sic and thus facilitate the creation of musical scores from SuperCollider patches. SuperOM is primarily intended to be used as a tool for SuperCollider users who make use of assisted composition techniques and want the output of such processes to be captured through automatic notation transcription. This paper first presents an overview of existing transcription tools for SuperCollider, followed by a detailed description of SuperOM and its implementation, as well as examples of how it can be used in practice. Finally, a case study in which the transcription tool was used as an assistive composition tool to generate the score of a sonification – which later was turned into a piano piece – is discussed. 

Place, publisher, year, edition, pages
Boston, MA, USA: Northeastern University Library , 2023. p. 68-75
Keywords [en]
SuperCollider, OpenMusic, class, computer assisted composition, automatic music notation
National Category
Music
Identifiers
URN: urn:nbn:se:kth:diva-327068DOI: 10.17760/D20511476OAI: oai:DiVA.org:kth-327068DiVA, id: diva2:1757767
Conference
TENOR - International Conference on Technologies for Music Notation and Representation, Boston, MA, USA, May 15-17, 2023
Note

QC 20230630

Available from: 2023-05-17 Created: 2023-05-17 Last updated: 2023-07-05Bibliographically approved
In thesis
1. Converging Creativity: Intertwining Music and Code
Open this publication in new window or tab >>Converging Creativity: Intertwining Music and Code
2023 (English)Doctoral thesis, comprehensive summary (Other academic) [Artistic work]
Abstract [en]

This compilation thesis is a collection of case studies that presents examples of creative coding in various contexts, focusing on how such practice led to the creation and exploration of musical expressions, and how I in- interact with the design of the code itself. My own experience as a music composer influences this thesis work. By saying so, I mean that although the thesis places itself in the Sound and Music Computing academic tradition, it is also profoundly founded upon a personal artistic perspective. This perspective has been the overarching view that has informed the studies included in the thesis, despite all being quite different. The first part of the thesis describes the practice of creative coding, creativity models, and the interaction between code and coder. Then I propose a perspective on creative coding based on the idea of asymptotic convergence of creativity. This is followed by a presentation of five papers and three music works, all inspected through my stance on this creative practice. Finally, I examine and discuss these works in detail, concluding by suggesting that the asymptotic convergence of creativity framework might serve as a useful tool that adds to the literature on creative coding practice, especially for situations in which such work is carried out in an academic research setting. 

Abstract [sv]

I denna sammanläggningsavhandling presenteras ett antal fallstudier med fokus på kreativ programmering (engelska: creative coding) i en rad olika sammanhang. Fokus ligger på hur kreativ programmering stimulerat musikskapande och utforskning av olika musikaliska uttryck, samt hur jag själv interagerat med kod i sådana kontexter. Detta avhandlingsarbete är till stor del influerat av min personliga erfarenheter och bakgrund som kompositör. Även om avhandlingen befinner sig i en akademisk kontext, närmare bestämt inom den vetenskapliga traditionen för ljud- och musikbehandling, så är avhandlingsarbetet också djupt rotat i ett konstnärligt perspektiv. Detta perspektiv har influerat och präglat de studier som beskrivs i denna avhandling, trots att studierna sinsemellan är av ganska skiljd karaktär. Den första delen av denna avhandling beskriver kreativ programmering och dess praktik, olika kreativitetsmodeller samt samspelet mellan utvecklare och kod. Sedan föreslår jag ett perspektiv på kreativ kodning som bygger på idén om kreativitetens asymptotiska konvergens. Detta efterföljs av en genomgång av fem artiklar och tre musikverk, vilka analyseras med hjälp av min ansats till denna praktik. Slutligen granskar och diskuterar jag dessa verk i detalj och avslutar med att föreslå att ramverket för kreativitetens asymptotiska konvergens kan fungera som ett användbart verktyg som bidrar till litteraturen om kreativ kodningspraxis, särskilt för situationer där sådant arbete utförs i en akademisk forskningsmiljö. 

Place, publisher, year, edition, pages
Stockholm: KTH Royal Institute of Technology, 2023. p. 71
Series
TRITA-EECS-AVL ; 2023:40
Keywords
Sound and Music Computing, Music Composition
National Category
Media and Communication Technology Human Computer Interaction Music Arts
Research subject
Media Technology
Identifiers
urn:nbn:se:kth:diva-327072 (URN)978-91-8040-585-0 (ISBN)
Public defence
2023-06-09, https://kth-se.zoom.us/j/62182993824, Kollegiesalen, Brinellvägen 6, Stockholm, 09:00 (English)
Opponent
Supervisors
Note

QC 20230522

Available from: 2023-05-22 Created: 2023-05-17 Last updated: 2023-06-13Bibliographically approved

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Panariello, ClaudioFrid, Emma

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