Endre søk
RefereraExporteraLink to record
Permanent link

Direct link
Referera
Referensformat
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Sonification of fluidity -
An exploration of perceptual connotations of a particular movement feature
KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID. (Sound and Music Computing)ORCID-id: 0000-0002-4422-5223
KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID. (Sound and Music Computing)ORCID-id: 0000-0002-2659-0411
KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID. (Sound and Music Computing)ORCID-id: 0000-0002-3086-0322
2016 (engelsk)Inngår i: Proceedings of ISon 2016, 5th Interactive Sonification Workshop, Bielefeld, Germany, 2016, s. 11-17Konferansepaper, Publicerat paper (Fagfellevurdert)
Abstract [en]

In this study we conducted two experiments in order to investigate potential strategies for sonification of the expressive movement quality “fluidity” in dance: one perceptual rating experiment (1) in which five different sound models were evaluated on their ability to express fluidity, and one interactive experiment (2) in which participants adjusted parameters for the most fluid sound model in (1) and performed vocal sketching to two video recordings of contemporary dance. Sounds generated in the fluid condition occupied a low register and had darker, more muffled, timbres compared to the non-fluid condition, in which sounds were characterized by a higher spectral centroid and contained more noise. These results were further supported by qualitative data from interviews. The participants conceptualized fluidity as a property related to water, pitched sounds, wind, and continuous flow; non-fluidity had connotations of friction, struggle and effort. The biggest conceptual distinction between fluidity and non-fluidity was the dichotomy of “nature” and “technology”, “natural” and “unnatural”, or even “human” and “unhuman”. We suggest that these distinct connotations should be taken into account in future research focusing on the fluidity quality and its corresponding sonification.

sted, utgiver, år, opplag, sider
Bielefeld, Germany, 2016. s. 11-17
Emneord [en]
sonification, interactive sonification, fluidity, sound perception, movement perception
HSV kategori
Forskningsprogram
Medieteknik; Människa-datorinteraktion
Identifikatorer
URN: urn:nbn:se:kth:diva-205926OAI: oai:DiVA.org:kth-205926DiVA, id: diva2:1090779
Konferanse
ISon 2016, 5th Interactive Sonification Workshop
Prosjekter
DANCE
Forskningsfinansiär
EU, Horizon 2020, 645553
Merknad

QC 20170427

Tilgjengelig fra: 2017-04-25 Laget: 2017-04-25 Sist oppdatert: 2019-06-18bibliografisk kontrollert

Open Access i DiVA

Fulltekst mangler i DiVA

Andre lenker

http://interactive-sonification.org/ISon2016/#psi

Søk i DiVA

Av forfatter/redaktør
Frid, EmmaElblaus, LudvigBresin, Roberto
Av organisasjonen

Søk utenfor DiVA

GoogleGoogle Scholar

urn-nbn

Altmetric

urn-nbn
Totalt: 2804 treff
RefereraExporteraLink to record
Permanent link

Direct link
Referera
Referensformat
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf