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Matching the rule parameters of PHRASE ARCH to performances of "Träumerei": a preliminary study
KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.ORCID iD: 0000-0003-2926-6518
1995 (English)In: STL-QPSR, Vol. 36, no 2-3, p. 063-070Article in journal (Other academic) Published
Abstract [en]

In music performance a basic principle is the marking of phrases, which often seems to be achieved by means of tone durations. In our grammar for music performance the rule PHRASE ARCH, has been formulated to model this eflect. A technical description of the rule is presented. Also presented is an attempt to match the diflerent parameters of this rule to the duration data fiom 28 performances of the Jirst 9 bars of Robert Schumann 's Traumerei as measured by Bruno Repp (1992). The optimisation was based on relative duration measured in percent. On average 44% of the total variation was accounted for by PHRASE ARCH. The discrepancies were mostly at the note level and were mostly associated with small musical gestures.

Place, publisher, year, edition, pages
1995. Vol. 36, no 2-3, p. 063-070
National Category
Computer and Information Sciences
Research subject
Speech and Music Communication
Identifiers
URN: urn:nbn:se:kth:diva-234426OAI: oai:DiVA.org:kth-234426DiVA, id: diva2:1246563
Note

QCR 20180910

Available from: 2018-09-07 Created: 2018-09-07 Last updated: 2018-09-14Bibliographically approved

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CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf