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Audio Imagineering: Utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production
2016 (English)In: The New Soundtrack, Vol. 6, no 1, p. 77-107Article in journal (Refereed) Published
Place, publisher, year, edition, pages
Edinburgh University Press 22 George Square, Edinburgh EH8 9LF UK , 2016. Vol. 6, no 1, p. 77-107
Keywords [en]
sound mixing, film post-production
National Category
Media Engineering Studies on Film
Identifiers
URN: urn:nbn:se:kth:diva-249423OAI: oai:DiVA.org:kth-249423DiVA, id: diva2:1313439
Note

QC 20190625

Available from: 2019-05-03 Created: 2019-05-03 Last updated: 2019-06-25Bibliographically approved

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
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