Self-to-other ratios measured in an opera chorus in performance
2005 (English)In: Journal of the Acoustical Society of America, ISSN 0001-4966, E-ISSN 1520-8524, Vol. 118, no 6, 3903-3911 p.Article in journal (Refereed) Published
Four volunteer members of the chorus of Opera Australia, representing four different voice categories, wore binaural pairs of wireless microphones during a penultimate dress rehearsal on the Opera Theater stage of the Sydney Opera House. From the recordings, data were obtained oil sound levels and on the self-to-other ratios (SORs). The sound levels were comparable to those found in loud music in chamber choir performance. The average SOR ranged from +10 to +15 dB. Compared to chamber choirs in other types of room, the SOR values were high. On a separate occasion, the stage support parameters ST1 (early reflections) and ST2 (late reflections) were measured over the whole stage area. STI was about -16 dB, which is typical for opera stages, and -20 dB for ST2, which is unusually low. It is concluded that the SOR in the opera chorus depends mostly on choir formation, which is highly variable, and that an opera chorus artist generally can hear his or her own voice very well, but little of the others and of the orchestra. This was confirmed by informal listening to the recordings.
Place, publisher, year, edition, pages
2005. Vol. 118, no 6, 3903-3911 p.
own voice, choir, sound, halls
IdentifiersURN: urn:nbn:se:kth:diva-15263DOI: 10.1121/1.2109212ISI: 000234101000050ScopusID: 2-s2.0-29244440844OAI: oai:DiVA.org:kth-15263DiVA: diva2:333304
QC 201005252010-08-052010-08-05Bibliographically approved