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Overlapping of sounds in piano passages
KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.ORCID iD: 0000-0002-0144-7205
2006 (English)In: Acoustical Physics, ISSN 1063-7710, E-ISSN 1562-6865, Vol. 52, no 2, 144-150 p.Article in journal (Refereed) Published
Abstract [en]

It is well known that, in piano passages, specifically, in those played legato, sounds may overlap in time. Our experiments show that this overlapping is much greater than one would expect proceeding from the undistorted pitch perception in a given phrase. Moreover, the sounds produced by piano and perceived by a listener as clearly distinguished in pitch, when subjected to an objective analysis, may prove to be a mixture of equally intense components of the preceding and next sounds. This phenomenon is related to the problem of piano quality, including the still unclarified role of the damper system, as well as to the mysterious manifestation of pianist's personality that is called the art of touch.

Place, publisher, year, edition, pages
2006. Vol. 52, no 2, 144-150 p.
Keyword [en]
touch
Identifiers
URN: urn:nbn:se:kth:diva-15685DOI: 10.1134/s1063771006020059ISI: 000237655900005OAI: oai:DiVA.org:kth-15685DiVA: diva2:333727
Note
QC 20100525Available from: 2010-08-05 Created: 2010-08-05 Last updated: 2017-12-12Bibliographically approved

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Askenfelt, Anders

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