Articulatory Configuration and Pitch in a Classically Trained Soprano Singer
2009 (English)In: Journal of Voice, ISSN 0892-1997, E-ISSN 1557-8658, Vol. 23, no 5, 546-551 p.Article in journal (Refereed) Published
Previous studies suggest that singers modify articulation to avoid that the pitch frequency F0 exceeds the normal value of the first formant F1(Normal). Using magnetic resonance imaging at a rate of 5 frames/s, articulation was analyzed in a professional soprano singing an ascending triad pattern from C4 to G5 (262-784 Hz) on the vowels /i, e, u, o, a/. Lip and jaw opening and tongue dorsum height were measured and analyzed as function of pitch. Four or five semitones below the pitch where F0 = F1(Normal) the tongue dorsum height was reduced in /i, e, u, a/, whereas in /o/ the lip opening was widened and in /a/ also the jaw opening was widened. At higher pitches, the jaw opening was widened in all vowels. These articulatory maneuvers are likely to raise F1 in these vowels.
Place, publisher, year, edition, pages
2009. Vol. 23, no 5, 546-551 p.
Singing, Articulation, Lip opening, Jaw opening, Tongue shape, High-pitched singing, Formant frequencies
IdentifiersURN: urn:nbn:se:kth:diva-30689DOI: 10.1016/j.jvoice.2008.02.003ISI: 000269735200005ScopusID: 2-s2.0-69249208713OAI: oai:DiVA.org:kth-30689DiVA: diva2:402937
QC 20110310 32nd Annual Symposium on Care of the Professional Voice, PHILADELPHIA, PA, JUN 03-07, 20032011-03-102011-03-042011-03-10Bibliographically approved