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Articulatory Configuration and Pitch in a Classically Trained Soprano Singer
KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.
2009 (English)In: Journal of Voice, ISSN 0892-1997, E-ISSN 1873-4588, Vol. 23, no 5, 546-551 p.Article in journal (Refereed) Published
Abstract [en]

Previous studies suggest that singers modify articulation to avoid that the pitch frequency F0 exceeds the normal value of the first formant F1(Normal). Using magnetic resonance imaging at a rate of 5 frames/s, articulation was analyzed in a professional soprano singing an ascending triad pattern from C4 to G5 (262-784 Hz) on the vowels /i, e, u, o, a/. Lip and jaw opening and tongue dorsum height were measured and analyzed as function of pitch. Four or five semitones below the pitch where F0 = F1(Normal) the tongue dorsum height was reduced in /i, e, u, a/, whereas in /o/ the lip opening was widened and in /a/ also the jaw opening was widened. At higher pitches, the jaw opening was widened in all vowels. These articulatory maneuvers are likely to raise F1 in these vowels.

Place, publisher, year, edition, pages
2009. Vol. 23, no 5, 546-551 p.
Keyword [en]
Singing, Articulation, Lip opening, Jaw opening, Tongue shape, High-pitched singing, Formant frequencies
National Category
Otorhinolaryngology Musicology
Identifiers
URN: urn:nbn:se:kth:diva-30689DOI: 10.1016/j.jvoice.2008.02.003ISI: 000269735200005Scopus ID: 2-s2.0-69249208713OAI: oai:DiVA.org:kth-30689DiVA: diva2:402937
Note
QC 20110310 32nd Annual Symposium on Care of the Professional Voice, PHILADELPHIA, PA, JUN 03-07, 2003Available from: 2011-03-10 Created: 2011-03-04 Last updated: 2017-12-11Bibliographically approved

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CiteExportLink to record
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  • apa
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  • vancouver
  • Other style
More styles
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  • de-DE
  • en-GB
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  • fi-FI
  • nn-NO
  • nn-NB
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  • Other locale
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Output format
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