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Overview of the KTH rule system for musical performance
KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.ORCID iD: 0000-0003-2926-6518
KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.ORCID iD: 0000-0002-3086-0322
KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.
2006 (English)In: Advances in Cognitive Psychology, ISSN 1895-1171, E-ISSN 1895-1171, Vol. 2, no 2-3, 145-161 p.Article in journal (Refereed) Published
Abstract [en]

The KTH rule system models performance principles used by musicians when performing a musical score, within the realm of Western classical, jazz and popular music. An overview is given of the major rules involving phrasing, micro-level timing, metrical patterns and grooves, articulation, tonal tension, intonation, ensemble timing, and performance noise. By using selections of rules and rule quantities, semantic descriptions such as emotional expressions can be modeled. A recent real-time implementation provides the means for controlling the expressive character of the music. The communicative purpose and meaning of the resulting performance variations are discussed as well as limitations and future improvements.

Place, publisher, year, edition, pages
2006. Vol. 2, no 2-3, 145-161 p.
Keyword [en]
Music performance modeling, rule system, expression
National Category
Computer Science Human Computer Interaction Psychology Music
Identifiers
URN: urn:nbn:se:kth:diva-51912OAI: oai:DiVA.org:kth-51912DiVA: diva2:465206
Note

tmh_import_11_12_14. QC 20111222

Available from: 2011-12-14 Created: 2011-12-14 Last updated: 2017-12-08Bibliographically approved

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Friberg, AndersBresin, Roberto

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