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  • 1.
    Bresin, Roberto
    et al.
    KTH, Superseded Departments, Speech, Music and Hearing.
    Friberg, Anders
    KTH, Superseded Departments, Speech, Music and Hearing.
    Emotional coloring of computer controlled music performance2000In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169, Vol. 24, no 4, p. 44-63Article in journal (Refereed)
  • 2.
    Bresin, Roberto
    et al.
    KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.
    Friberg, Anders
    KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.
    Emotional coloring of computer controlled music performance2000In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169, Vol. 24, no 4, p. 44-61Article in journal (Refereed)
  • 3.
    Fabiani, Marco
    KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.
    Permorfer: Interactive Rule-Based Modification of Audio Recordings2011In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169Article in journal (Other academic)
  • 4.
    Friberg, Anders
    KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.
    Generative Rules for Music Performance: A Formal Description of a Rule System1991In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169, Vol. 15, no 2, p. 56-71Article in journal (Refereed)
  • 5.
    Friberg, Anders
    KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.
    pDM: An expressive sequencer with real-time control of the KTH music-performance rules2006In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169, Vol. 30, no 1, p. 37-48Article in journal (Refereed)
  • 6.
    Friberg, Anders
    et al.
    KTH, Superseded Departments, Speech Transmission and Music Acoustics.
    Colombo, V.
    Fryden, L.
    Sundberg, J.
    Generating musical performances with Director Musices2000In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169, Vol. 24, no 3, p. 23-29Article in journal (Refereed)
  • 7.
    Friberg, Anders
    et al.
    KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.
    Frydén, Lars
    KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.
    Bodin, L. G.
    KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.
    Sundberg, Johan
    KTH, Superseded Departments (pre-2005), Speech, Music and Hearing.
    Performance Rules for Computer-Controlled Contemporary Keyboard Music1991In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169, Vol. 15, no 2, p. 49-55Article in journal (Refereed)
    Abstract [en]

    A computer program for synthesis of music performance, originally developed for traditional tonal music by means of an analysis-by-synthesis strategy, is applied to contemporary piano music as well as to various computer-generated random music. The program consists of rules that manipulate the durations and sound levels of the tones in a contextdependent way. When applying the rules to this music, the concept harmonic charge, which has been found useful for generating crescendi and diminuendi in performance of traditional tonal music for example, is replaced by chromatic charge. The music is performed on a Casio sampler controlled by a Macintosh II microcomputer. A listening panel of five experts on contemporary piano music or electroacoustic music clearly preferred performances processed by the performance program to "deadpan" performances mechanically replicating the durations and sound levels nominally written in the music score. 

  • 8.
    Hansen, Kjetil Falkenberg
    et al.
    KTH, School of Computer Science and Communication (CSC), Media Technology and Interaction Design, MID. KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.
    Bresin, Roberto
    KTH, School of Computer Science and Communication (CSC), Speech, Music and Hearing, TMH, Music Acoustics.
    The Skipproof virtual turntable for high-level control of scratching2010In: Computer music journal, ISSN 0148-9267, E-ISSN 1531-5169, Vol. 34, no 2, p. 39-50Article in journal (Refereed)
    Abstract [en]

    A background on scratching and disc jockey (DJ) interfaces is presented, Skipproof application is described, performance situations where Skipproof is used are presented, and current implementations and possible future uses of Skipproof are discussed. DJing has grown from record players, turntables, and vinyl records to the use of product catalog of commercial physical controllers with other sound formats and sequencer-based interfaces with non-real-time interaction. Skipproof provides the main functionality of a turntable and a mixer, allowing a user to play different sound samples and alter the speed and amplitude manually. Skipproof is used in GUI and visual feedback, sensor and parameter mapping, and audio. The use of radio Baton as the turntable controller in a public performance featuring the Skipproof software showed problems due to the lack of beat synchronization of the scratch techniques and the impossibility of setting a general tempo.

1 - 8 of 8
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